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- #Fabfilter total bundle pro q for mac os
- #Fabfilter total bundle pro q full
- #Fabfilter total bundle pro q pro
For example, to adjust the Q setting for an EQ band under iOS, you have to double–tap and then drag up/down, and this is an action that takes a little getting used to. Incidentally, adjusting the control points of these two curves is one example of where there are operational differences between the desktop and iOS versions. Reverb decay varies by frequency in all spaces, but few other reverbs allow you to manipulate this in such fine detail. The Post EQ is a conventional six-band offering, but the Decay Rate EQ allows you to customise the rate at which different frequencies decay. Two EQ curves dominate the lower portion of the GUI. The latter combine the familiar (for example, Brightness and Mix) with the less common (for example, Distance, which seems to adjust the early reflections and reverb decay balance in a very effective fashion), while remaining very intuitive. The GUI's upper portion offers access to a massive collection of presets and six macro-style controls. It doesn't attempt to emulate any iconic hardware reverb or to capture the sound of specific spaces but Pro‑R provides a massive range of treatments, from intimate ambiences through to cavernous halls, and it does that with some considerable style, both sonically and in terms of the control set presented to the user. As a 'one reverb for any occasion', Pro‑R is a heck of a candidate. Of course, in different recording/mixing/mastering situations, you might find yourself reaching for some more than others. Pro‑R running full-screen as an AUv3 plug-in in Cubasis. The same functionality is available under iOS, and I can echo what other reviewers have already stated these are some of the most sophisticated, powerful and beautifully designed, software-based audio processors you're ever likely to use.
#Fabfilter total bundle pro q full
I haven't the space here to describe the full operation of all seven plug-ins, so do check out the SOS reviews of the desktop versions of Pro‑R (March 2017), Pro‑MB (December 2013), Pro‑L2 and Pro‑Q3 (both April 2019) if you want more details. I did the bulk of my testing in Cubasis and AUM, and encountered no technical issues other than that, as you might expect, these FabFilter plug-ins do place a little more load on your iPad's resources than the equivalent 'stock' plug-in. All are provided in an AUv3 format, so they should work in any suitable AU host, although the option to increase the size of the AU plug-in window within your host (offered by, for example, AUM, Auria or Cubasis) makes it easier to access the full control set for some plug-ins. So, what's in the bundle? The seven plug-ins include the Pro‑R reverb, Pro‑L2 limiter, Pro‑MB multi-band compressor/expander, Pro‑Q3 EQ, Pro‑C2 compressor, Pro‑DS de-esser and Pro‑G gate/expander. When compared with typical prices in the world of iOS apps, this might still feel like a big investment - but these are not cut-down versions it's the full-fat FabFilter experience with some modest UI adjustments to optimise the plug-ins for the iOS platform and touchscreen control.
#Fabfilter total bundle pro q pro
But if your music-making workflow is centred on an iOS device, you can now pick up their Pro Bundle plug-in suite in app form for a fraction of the price of their desktop counterparts.
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But while probably familiar to most readers, their price means that the full bundle is a stretch for many hobbyists.
#Fabfilter total bundle pro q for mac os
The FabFilter plug-ins for Mac OS and Windows seem to be universally praised by audio professionals for their sonic capabilities, their versatility and their super-slick user interfaces.